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I Forget Myself unveils bold new chapter with "A Countenance in Involution"

I Forget Myself, the Alternative rock visionary, will be releasing his eighth studio album, "A Countenance in Involution," an 11-song tautly weave, revealing a reintroduction to his alter ego, despite his lyrics revealing his look at a depth of self-reflection as an artist that has garnered critical acclaim and captured imagination of many. With "A Countenance in Involution," I Forget Myself doesn't just join his discography but presents a whole new one. It's a daring reinvention that bears repeated listens because, from fans old and new, there's much-fractured beauty for others to find.

Yet while sessions are on the shorter side, only slightly over 25 minutes, this is an immersive, artistically confident outing from start to finish. The album represents a transformative chapter in I Forget Myself's career, decades in the making, informed by a life lived and sharpened by an urgency to expand the boundaries of their creativity. The album's title is no misdirection but a meditation on the inward turn, the collapse of masks, and the refracted self-image glimpsed through the layers of sound and feeling. 

Kyle Reece Williams, a close collaborator for years, returns behind the kit, providing the album with muscular and nuanced percussion to support its prismatic textures. The production, directed by Clint Watts of Watts Productions, is truly world-class. And it's recorded with immaculate clarity, every beat, whisper, and swell perfectly audible, allowing each song to breathe and seethe. "A Countenance in Involution" is an album designed for quiet contemplation and high-volume catharsis, an emotional mirror as much as a musical statement.

"A Countenance in Involution" embodies more avant-garde territories and nuanced songwriting, crafting an emotion-rich and poetic masterpiece. Audiences will get pulled into the blurry allure of tracks like "Our Common Flame," a standout that simmers with vulnerability and guarded fire, and "To Colour In Motion Too," which warps genre and rhythm into hypnotic, completely original shapes.

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