On Friday, June 6, 2025, Weezy released his highly anticipated 'Tha Carter VI,' and fans weren’t expecting this. At 19 tracks and 67 minutes, the album is a massive turn in a deliberately left-field, genre-bending direction. No Drake. No Nicki. But none of that inhibited Wayne from taking us on a wild ride filled with surprises in a way only he could have orchestrated.
Even as rumors swirled about the Young Money three-pack reuniting, Tha Carter VI has a guest list more reminiscent of a Coachella poster than your usual rap album. Andrea Bocelli, Wyclef Jean, Jelly Roll, Big Sean, 2 Chainz, MGK, Kodak Black, and Mannie Fresh Wayne invited every genre he’s ever flirted with for dinner.
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“Maria,” a track that could stop time, is one of the album’s most talked-about moments. It includes Wyclef Jean and the legendary tenor Andrea Bocelli (on a haunting “Ave Maria”). Wyclef revealed that he flew to Italy to get Bocelli’s permission to sample the song, but when Bocelli heard about Wayne’s childhood brush with death (he nearly died when shot at age 12), Bocelli offered to lay down the part himself. “It’s one of the records that I feel is going to make time stop,” Wyclef said.
Wayne turns his blood in elsewhere, and his sons, Kameron Carter and Lil Novi, spit verses on “Rari” and “Mula Komin In,” bequeathing a new kind of legacy to the Carter series. And if die-hards are missing the old-school recipe, Wayne’s vision appears to be aiming elsewhere: evolution.
I’ve always wanted to hear more collaborations and shit like that, but I would always want to sound like my own shit.” In a conversation with Rolling Stone, Lil Wayne said, “If there’s one thing about this album that’s different: me approaching it like, ‘Man, what would I sound like on something with such and such?’ ” Curiosity is all over the place on the project, from the bluesy grit of “Sharks” featuring Big Sean and Jelly Roll to the syrupy bounce of “Cotton Candy” featuring 2 Chainz, to emotional chaos “Alone In The Studio With My Gun,” where MGK and Kodak Black come through for one of the album’s darker turns.
Mannie Fresh is back, adding a dose of memories to the proceedings that assures fans Wayne hasn’t lost all his roots. Some applaud Wayne’s development, his willingness to never play it safe, and his ear for things that shouldn’t sound so unexpectedly magical. Meanwhile, others call it “mid” and wish for the hunger of Carter’s earlier chapters.
The same day the album dropped, his Carter VI Tour began at Madison Square Garden and played 34 cities in North America. So, there’s no Drake, no Nicki, and if you pay attention, there is something larger happening here. Wayne isn’t trying to resurrect his past but is too busy redefining his future.
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